Sarnath Press is a micro-imprint that I have established to issue some of my writings that I do not wish to burden other presses with, and also to issue some multi-volume projects (e.g., a forthcoming edition of the Collected Essays and Journalism of H. L. Mencken) that would be impractical to publish by ordinary means. All books are published by CreateSpace (print) and Kindle (ebook). I present here a list of books issued by Sarnath Press, with brief descriptions of them and links to their page on Amazon.
Current titles include:
For more than 30 years, S. T. Joshi has been a pioneering critic of fantasy, horror, and supernatural fiction. This new collection of his essays and reviews covers the entire range of weird fiction, from Romantic poetry to the work of Ambrose Bierce, Ray Bradbury, and Shirley Jackson. Particularly insightful are Joshi’s assessments of such contemporary writers as Ramsey Campbell, Caitlin R. Kiernan, Thomas Ligotti, and Reggie Oliver. Joshi, the leading authority on H. P. Lovecraft, also provides pungent analyses of recent works of Lovecraftian fiction by such figures as W. H. Pugmire and Darrell Schweitzer, as well as incisive reviews of recent works of Lovecraft scholarship. This expanded edition now includes reviews of such writers as Richard Gavin, Mark Samuels, and Joel Lane, as well as reviews of several new anthologies of Lovecraftian fiction. All in all, this book will engage, entertain, and inform all devotees of weird fiction.
For the past two decades, S. T. Joshi has emerged as one of the sharpest commentators on the follies of religion and politics. Combining keen analytical skills with pungent satire, Joshi is a modern-day Ambrose Bierce or H. L. Mencken in skewering religious fanatics, right-wing politicians, and others who have exhibited their stupidity and ineptitude for all to see. In this book, Joshi assembles the essays and reviews he has written for The American Rationalist, a journal he has edited since 2011. He lambastes the work of Alister E. McGrath, Robert P. George, Todd Burpo, David Skeel, Rice Broocks, and others who blunderingly seek to defend Christian doctrine, and he also dissects the hollow and superficial work of Joe Scarborough and other conservative commentators. Other reviews address such issues as the Bible’s attitude toward gays and lesbians, the Second Amendment, and other key issues. Joshi’s column, “The Stupidity Watch,” is a wide-ranging lampoon of the myriad forms of stupidity exhibited by politicians, clerics, and the general public. Here we see the buffooneries of Republican politicians, fundamentalist preachers, and average citizens held up to impolite ridicule. Our “president,” Donald J. Trump, is not spared.
The little-known American writer Eleanor M. Ingram (1886–1921) published eight novels (one of them filmed by Cecil B. DeMille) between 1909 and 1921, but only one—The Thing from the Lake (1921)—is of interest today. This is largely because H. P. Lovecraft read the book in 1927, remarking: “Eleanor M. Ingram’s ‘Thing from the Lake’ is a really good story—with a genuine thread of horror despite best-seller form.” Although it would be an exaggeration to say that Ingram’s book inspired Lovecraft’s Cthulhu Mythos (which Lovecraft had already outlined in “The Call of Cthulhu” ), the novel could have inspired “The Dunwich Horror” (1928), which echoes The Thing from the Lake in suggesting the presence of monsters from another dimension. But the novel is a fine piece of ghostly fiction in its own right. This edition contains a detailed introduction and annotations by leading Lovecraft scholar S. T. Joshi.
Robert Hichens (1864-1950) was a popular British novelist of the turn of the twentieth century. Early in his career he exhibited considerable interest in the weird, producing the poignant ghost story “How Love Came to Professor Guildea” (1900) and numerous other tales of horror and the supernatural. In 1911 he published the short novel The Dweller on the Threshold, an exhaustive treatment of psychic possession. The story outlines how the weak-willed curate Henry Chichester is psychically dominated by the Rev. Marcus Harding, the rector of a fashionable London parish. Harding wants to “communicate with the spirit world” and ultimately to take over Chichester, body and soul. It is unclear whether H. P. Lovecraft ever read this work, but it bears striking similarities to his own tales of psychic possession, ranging from “The Thing on the Doorstep” to “The Shadow out of Time.” But The Dweller on the Threshold is worth reading in its own right, as an exemplary tale of weird fiction whose polished and elegant prose is no barrier to the conveyance of terror and strangeness.
For the past decade, S. T. Joshi has been a prolific and controversial figure in the blogosphere. A leading authority on H. P. Lovecraft and weird fiction, Joshi has been at the centre of many developments in the field, aside from writing several landmark works of his own. In this book, Joshi reprints selections from his blog posts, arranging them thematically so that readers can focus on the numerous issues in which Joshi has been involved. See how his history of supernatural fiction, Unutterable Horror (2012), progressed over the years, and how he came to edit the Black Wings anthologies of neo-Lovecraftian fiction. Joshi’s contributions to work on such writers as Lord Dunsany, Arthur Machen, Clark Ashton Smith, Ramsey Campbell, Ambrose Bierce, and H. L. Mencken are also chronicled. Joshi has been a vigorous defender of Lovecraft against those who seek to tear him down, and he has written pungent rebuttals of the tendentious writings of such figures as Daniel José Older, Laura Miller, Charles Baxter, Scott Nicolay, and others. Joshi has also defended himself against scurrilous attacks by Brian Keene, Laird Barron, and others. Author of more than 250 books, S. T. Joshi is one of the liveliest commentators in weird fiction, and this book offers a treasure-trove of some of his most vibrant and penetrating writings.
For close to two decades, S. T. Joshi has been one of the leading authorities on H. L. Mencken, the fiery journalist and critic whose vibrant writings—books, magazine articles, and thousands of newspaper pieces—continue to engage readers and critics of American literature. Because he has read the entirety of Mencken’s bountiful output, he is in a unique position to study those aspects of Mencken’s work that others have ignored. In particular, Joshi has shown how Mencken, in addition to bring a brilliant social and literary critic, also wrote dozens of poems, short stories, and plays (including the full-length farce Heliogabalus); and in several essays in this book he displays the value of this material. Other essays discuss Mencken as a longtime book reviewer, as a scourge of religious obscurantism, as an autobiographer, and other topics. Throughout these essays, Joshi displays his familiarity with Mencken’s life, writings, and the intellectual and cultural era in which he wrote.
H. P. Lovecraft has been the source of unending fascination since his death in 1937. He himself chronicled many aspects of his life in thousands of letters, and they reveal every aspect of his actions and beliefs. Born in 1890 in Providence, R.I., he was a precocious reader and writer, and also developed an early interest in science. Unable to finish high school, he became one of the greatest autodidacts of his time. Discovering the world of amateur journalism in 1914, he began writing essays, poetry, and fiction. The founding of the pulp magazine Weird Tales provided him with the opportunity to find a devoted readership for his weird tales, and he became a titan in the realm of pulp fiction as his tales of the “Cthulhu Mythos” attracted a wider audience. But he failed to find commercial success in his lifetime, and his work had to be rescued from oblivion by the devoted work of his friends. S. T. Joshi, long regarded as the leading authority on Lovecraft, has now written a succinct biography that focuses on the main events of Lovecraft’s life as well as the central features of his work and his associations with such colleagues as August Derleth, Frank Belknap Long, Robert Bloch, and others.
H. L. Mencken (1880–1956) was an enormously prolific author and journalist, and the great majority of his work remains uncollected. This first volume of his Collected Essays and Journalism contains the first of eight volumes of his writings for the Smart Set, a highbrow periodical for which he wrote extensively during the years 1908–1923. Hired as a book reviewer late in 1908, Mencken began writing 5000-word reviews that covered the entire range of American, English, and European literature. He was particularly interested in the novel, championing the work of Theodore Dreiser, H. G. Wells, Joseph Conrad, Arnold Bennett, and others. Among playwrights he looked with favor on George Bernard Shaw and John Galsworthy. But some of Mencken’s most pungent reviews are his condemnations of “trade goods”—the hack writing of now-forgotten popular writers such as Robert W. Chambers and Marie Corelli. Throughout these reviews, Mencken’s vibrant prose, lively wit, and keen analytical skills are on display. The book has been edited and annotated by S. T. Joshi, a leading authority on Mencken.
In this second volume of Mencken’s writings in the Smart Set, we see Mencken begin his championing of the work of Joseph Conrad, as well as continuing his promotion of Theodore Dreiser as a leading American novelist. European writers such as Hermann Sudermann and August Strindberg also come in for extensive discussion. And Mencken writes a hilarious column poking fun at several books expressing fears about white slavery. He also initiates a column of miscellaneous humorous sketches, “Pertinent and Impertinent.” More significantly, Mencken writes a six-part series, “The American,” studying conventional Americans’ attitudes on art, literature, politics, and the “new Puritanism.” In all, this volume features a rich treasure-trove of material highlighting Mencken’s critical acuteness, satirical skill, and cultural awareness.
The literature of terror and the supernatural has been experiencing a renaissance over the past several decades, and with the advent of the new millennium a diverse cadre of writers have expanded the bounds of weird fiction and enriched it with their penetrating vision. This book is the first to present a broad analysis of contemporary horror fiction as written by writers born in the 1960s and 1970s. S. T. Joshi, one of the leading authorities on weird fiction, divides his book into three categories, based on his judgment of the varying merits of the authors in question. Among the “Elite” are such writers as Michael Aronovitz, a master of metafictional narratives that intensely treat the emotional traumas of his characters; Adam Nevill, author of expansive novels that use the classic work of M. R. James, Arthur Machen, and others as a springboard; and Jonathan Thomas, who has found in the work of H. P. Lovecraft a touchstone for his cynical view of human foibles. Among the “Worthies” are the grimly pessimistic writer Nicole Cushing; Reggie Oliver, who has revivified the ghost story; and Clint Smith, whose tales are distinguished by his lyrical prose. Controversially, Joshi has established a category of “Pretenders”—authors whose work, in his opinion, is not commensurate with their reputations. Here we find Laird Barron, whose distinguished early writing is now confounded by mediocrity and preciosity; Joe Hill, author of bloated potboilers all too reminiscent of the unimaginative work of his father, Stephen King; Brian Keene, the prototypical hack writer; and Jeff VanderMeer, author of a trilogy whose confused premises and tiresome length try the patience of the most indulgent reader. Whatever one may think of Joshi’s views, his writing remains lively, provocative, and sure to promote discussion.
In this third volume of his writings in the Smart Set, H. L. Mencken expands his range considerably beyond merely the writing of monthly book reviews. Having taken over as co-editor (with George Jean Nathan) of the magazine in late 1914, Mencken found that there was a serious dearth of material for upcoming issues; therefore, he wrote numerous pieces—stories, poetry, essays, sketches, many written under pseudonyms—to fill up the magazine with the type of work he felt it ought to have. Accordingly, we find such short stories as “The Barbarous Bradley,” “Neapolitan Nights,” and others; prose poems on Beethoven, the flapper, and the cockroach; the short plays Death: A Discussion and The Wedding: A Stage Direction; and numerous other whimsies. Among his book reviews, we find Mencken championing the work of Theodore Dreiser, John Galsworthy, Anatole France, Joseph Conrad, and others; but there are also some devastating reviews of the hackwork of Marie Corelli and Marjorie Benton Cooke (author of the sentimental novel Bambi). All in all, a rich feast for the Mencken devotee.
In this fourth volume of his writings in the Smart Set, H. L. Mencken continues his monthly book review columns, discussing such writers as Willa Cather, George Bernard Shaw, Oscar Wilde (by way of Frank Harris’s biography), Theodore Dreiser, William Dean Howells, Mark Twain’s posthumously published The Mysterious Stranger, and others. Two columns on the work of leading Irish writers focus on the pioneering work of J. M. Synge and Lord Dunsany. In spite of his professed insensitivity to poetry, Mencken devotes three columns to the work of such contemporary poets as Sara Teasdale, Edgar Lee Masters, and Rupert Brooke. This volume also includes Mencken’s increasingly numerous works of fiction, including his longest story, “The Charmed Circle” (16,000 words), a striking anticipation of the work of F. Scott Fitzgerald. There is even a horror tale, “The Window of Horrors.” Several pungent articles about women (“A Footnote on the Duel of Sex,” “The Infernal Feminine,” “Woman, Lovely Woman!”) show how Mencken remains the master of political incorrectness.
In this fifth volume of his writings from the Smart Set, H. L. Mencken uses his monthly review column to address broader issues in literature and society, such as “The National Letters,” on American literary history; “Rattling the Subconscious,” on the work of Sigmund Freud and other psychologists; and “The Infernal Mystery,” on religion. We also find pungent review-articles focusing on Mark Twain, Arnold Bennett, H. G. Wells, and others, and Mencken’s polemical skills reach their apogee in “Prof. Veblen and the Cow,” a scathing attack on political theorist Thorstein Veblen. Articles on poetry discuss Ezra Pound, Sara Teasdale, and other poets. This volume also shows Mencken and his co-editor, George Jean Nathan, initiating a monthly column of humor and miscellany, “Répétition Générale.” In addition, there is a bountiful array of short fiction, ranging from satirical tales of married life (“The Homeric Sex,” “Wives”) to poignant accounts of religious belief (“The Man of God”). In all, this volume fully displays the wide scope of Mencken’s literary gifts.
In this sixth volume his writings from the Smart Set, H. L. Mencken praises James Branch Cabell’s novel Jurgen, which was the focus of a subsequent trial for obscenity. In other review columns, Mencken discusses such writers as Upton Sinclair, Joseph Conrad, F. Scott Fitzgerald (This Side of Paradise), Mark Twain (by way of Van Wyck Brooks’s study of him), Sherwood Anderson, Sinclair Lewis (Main Street), H. G. Wells (The Outline of History), and other important figures. Two columns on poetry focus on the work of Amy Lowell, Edgar Lee Masters, Carl Sandburg, and others. Mencken and his co-editor, George Jean Nathan, continue their “Répétition Générale” column, initiating a series of aphorisms that were later published as The American Credo. They also engage in a series of lively “conversations” on women, politics, and other subjects. Some of the most distinctive items in this volume are a series of brief, pungent prose poems, ranging from “A Panorama of Idiots” to “The Cat and His Shadow.” In all, another feast of critical acumen, satire, polemic, and literary virtuosity.
In this wide-ranging collection of his essays on weird fiction, S. T. Joshi spans two centuries of work in the field of supernatural horror. Beginning with the work of Mary Shelley (Frankenstein) and Théophile Gautier (“One of Cleopatra’s Nights”), Joshi moves on to study the life and work of such prominent writers as W. W. Jacobs (author of “The Monkey’s Paw”), Algernon Blackwood, Thomas Burke, and D. H. Lawrence. Weird poetry has been a particular interest of Joshi’s, and he supplies extensive discussions of the verse of George Sterling, Samuel Loveman, Clark Ashton Smith, and Donald Wandrei. Moving to the work of the past half-century, Joshi studies Shirley Jackson’s The Sundial (1958), three novels of the unjustly forgotten writer L. P. Davies, and the fusion of Lovecraftian elements and atheism in the films of Guillermo del Toro. The book concludes with an analysis of nine novels of the supernatural that were appreciated by H. P. Lovecraft. In all, Joshi again demonstrates the richness, variety, and aesthetic significance of the weird tale.
In this seventh volume of his writings in the Smart Set, H. L. Mencken continues his lively book review column, covering the novels of F. Scott Fitzgerald, W. L. George, Joseph Hergesheimer, and others. But increasingly, his reviews focus on important works on politics, history, and society by Walter Lippmann, Frank Harris, James Trunslow Adams, Upton Sinclair, and others. He and his co-editor, George Jean Nathan, continue their monthly “Répétition Générale” column of iconoclastic commentary, including a notable passage on the “graveyard of dead gods.” There are also several “conversations” between Mencken and Nathan on controversial subjects ranging from clothing to marriage. This volume is also enlivened by a series of piquant prose-poems ranging from “A Panorama of Holy Clerks” (on various types of clergymen) to “Dianthus Caryophyllus” (on red-headed women). Throughout, Mencken displays his penchant for wit, satire, and rollicking humor.
Throughout his life, H. L. Mencken published all manner of work in a wide range of magazines, both before and after he was associated with the Smart Set (1908–23). In the earliest stages of his literary career, Mencken was determined to be both a poet and a fiction writer, and this volume features some of the poems and stories he wrote for well-known magazines of the day, including Short Stories and Frank Leslie’s Popular Monthly. Among these are stirring narratives of war (“The Crime of McSwane”), a humorous story about anarchists (“The Bend in the Tube”), and other engaging tales. In addition, Mencken wrote biographical sketches of a number of prominent individuals in his native Baltimore (Senator Arthur Pue Gorman; James, Cardinal Gibbons). Most entertainingly, the lifelong bachelor Mencken teamed up with a physician, Leonard Keene Hirshberg, to ghostwrite a series of articles on “What You Ought to Know about Your Baby,” later published as a book. Throughout this volume, Mencken’s lively wit and scintillating prose are in abundant evidence.
Although best known as a biographer, critic, and editor, S. T. Joshi has devoted a portion of his career to the writing of mystery and horror fiction. As a teenager he became an enthusiast of the mystery story, especially the work of puzzlemeister John Dickson Carr, and wrote many detective tales as well as tales of supernatural menace. One early tale in this book, “The Recurring Doom,” was written at the age of 17. In the first decade of this century Joshi wrote two hard-boiled crime novels, The Removal Company (a radical reworking of a story by W. C. Morrow) and Conspiracy of Silence, featuring his private investigator, Joe Scintilla, living in Depression-era New York. “Tragedy at Sarsfield Manor” is a novella featuring Scintilla. Joshi has gone on to write numerous tales inspired by H. P. Lovecraft (“Incident at Ferney,” “Some Kind of Mistake”), along with other works that fuse mystery and weirdness. This omnibus sheds new light on the diverse and wide-ranging output of S. T. Joshi.
In this second volume of Mencken’s miscellaneous magazine contributions, we find several substantial articles on the drama of Henrik Ibsen, notably A Doll’s House. In addition, Mencken wrote a sheaf of reviews for the New York society paper Town Topics, covering such authors as Rabindranath Tagore, George Bernard Shaw, Lord Dunsany, and others. Later reviews or articles for other magazines cover the work of Havelock Ellis, Theodore Dreiser, Frank Harris, and Aldous Huxley. Mencken gave thought to broader literary issues (“The National Literature,” “The American Novel”), as well as to the art of literary criticism (“The Motive of the Critic”). Venturing into the political sphere, Mencken wrote several send-ups of the loquacious President Warren G. Harding, including the celebrated satire “A Short View of Gamalielese.” He wrote several pungent articles while attending the Washington Disarmament Conference of 1921, as well as several pieces condemning Prohibition. In all, this volume provides a vivid glimpse of the distinctive outlook of America’s leading literary and social critic of the time.
Arkham House, based in Sauk City, Wisconsin, is the most famous small press in the field of weird fiction. Since 1939, it has been a pioneering publisher of the work of H. P. Lovecraft, Clark Ashton Smith, Robert E. Howard, Ray Bradbury, Fritz Leiber, Ramsey Campbell, and many other titans of horror, fantasy, and supernatural fiction. In 1999, S. T. Joshi, a leading authority on weird fiction (and the author or editor of six Arkham House books), published Sixty Years of Arkham House. In this new and expanded edition, Joshi charts Arkham House’s publications right down to the present day. In this definitive compilation, Joshi lists the entire contents of all Arkham House publications (as well as those of its sub-imprints, Mycroft & Moran and Stanton & Lee). He provides an illuminating history of the firm’s eight decades of publishing, and also includes three rare essays by August Derleth—co-founder (with Donald Wandrei) of Arkham House—that discuss the status of the firm. In addition, there is a thorough index of names and titles. No devotee of Arkham House will want to be without this invaluable reference work.
Over the past several centuries, an increasing number of philosophers, scientists, and other writers have been making a strong case for the validity of atheism as a worldview. In addition, these and other thinkers have been making trenchant criticisms of the deficiencies of religion (especially Christianity) as a metaphysical, ethical, and social system. This volume seeks to present some of the noteworthy documents of atheism, agnosticism, and freethought during the last 300 years. Voltaire, Edward Gibbon, and Thomas Paine in the 18th century; a wide array of thinkers in the 19th century, including W. E. H. Lecky, Leslie Stephen, Elizabeth Cady Stanton, Herbert Spencer, Thomas Henry Huxley, and Robert G. Ingersoll; and 20th-century writer such as Bertrand Russell, George Santayana, Anatole France, Emma Goldman, and H. L. Mencken have all put forward vital arguments in support of a secular worldview. This volume features a sampling of some of the greatest minds in Western thought as they advocate an outlook shorn of religious dogma.
Throughout his career, H. L. Mencken wrote prefaces and introductions to numerous volumes, and this book gathers many of those pieces, which reflect his consuming interest in issues relating to literature, politics, society, and culture. Among the most interesting are two long introductions to plays by Henrik Ibsen in 1909, which exhibit Mencken’s admiration for this revolutionary playwright. Later he wrote an introduction to a pair of plays by the French author Eugène Brieux. Introductions to books by Oscar Wilde, Edwin Muir, and Arthur Morrison further reveal Mencken’s tastes in literature, while in his introduction to James Nelson Wood’s Democracy and the Will to Power (1921) he exhibits his disdain of the very principle of democracy. This book also contains two full-length works: George Bernard Shaw: His Plays (1905), Mencken’s first critical treatise and the first book about the English playwright; and his translation of Friedrich Nietzsche’s iconcolastic work The Antichrist (1920). Once again, Mencken’s distinctive views and his pungent manner of expressing them are on full display.
H. L. Mencken was, first and foremost, a newspaperman. At the age of 19 he joined the staff of the Baltimore Herald, writing all manner of articles for the morning, evening, and Sunday editions for the next seven years. This volume presents the earliest of these articles, most of which have never been reprinted. Amidst engaging pieces on the inveterate disputes between Baltimore’s mayor, Thomas G. Hayes, and the City Council, we find articles exhibiting Mencken’s love of music and other subjects. In late 1900 he began writing two separate columns of humor, poetry, and miscellany, “Rhyme and Reason” and “Knocks and Jollies.” Also notable is his first published short story, “A Matter of Ethnology.” Early 1901 saw the appearance of another occasional column, “Terse and Terrible Texts.” Throughout these articles, Mencken displays his customary shrewdness in reporting on the controversies of the day and his infectious humor, satire, and wit.
H. L. Mencken published a wide array of articles in the Baltimore Herald (morning, evening, and Sunday editions). These articles ranged from coverage of local politics to several stirring accounts of a fire in Jacksonville, Florida, to an immense article on the British general Herbert Kitchener. Mencken engaged in his penchant for wit and humor with various columns of miscellany (“Terse and Terrible Texts,” “Baltimore and the Rest of the World,” “Knocks and Jollies”); in particular, he wrote 33 installments of a pungent column, “Untold Tales,” which purported to discuss ancient Roman politicians but were in fact satires on local figures. Ill health forced Mencken to take a break from journalism in 1903–04, but in June 1904 he issued a series of reports of the Republican and Democratic national conventions, a practice he would continue for decades. We also find theatre reviews and reviews of books by Kipling, Shaw, and other notable writers. In all, this volume is a rich storehouse of Mencken’s early newspaper writing.
The literature of horror and supernatural fiction experienced a tremendous revival in the final three decades of the 20th century, becoming a best-selling phenomenon for the first time since the Gothic novels of the later 18th and early 19th centuries. But the groundwork for this revival was laid by the powerful work for Shirley Jackson, whose novels and tales explored ghosts and haunted houses along with keen insights into human psychology. The British writer Ramsey Campbell revolutionized the field with the story collection Demons by Daylight (1973) and numerous other works. Best-selling writers such as William Peter Blatty, Stephen King, Clive Barker, and Anne Rice generally used standard horror themes in conventional ways, and their work is far excelled by such dynamic writers as T.E.D. Klein, Thomas Ligotti, and David J. Schow. In this pioneering study of weird fiction after the death of Lovecraft, S. T. Joshi provides perspicacious analyses of more than a dozen leading writers of weird fiction in the later 20th century, pungently exposing King and others as hacks and tyros while championing the aesthetically sincere work of lesser-known writers. The result is a landmark study that reshapes our view of the development of this popular literary genre.