I am immensely proud to announce that I have received copies of David E. Schultz’s landmark edition of Lovecraft’s Fungi from Yuggoth: An Annotated Edition, just out from Hippocampus Press in hardcover. This book, quite literally decades in the making (I saw a draft of it when I first met David at Steve Mariconda’s wedding in 1986), is just about the last word on this sonnet cycle. Not only does it contain the text of the cycle (with splendid illustrations by Jason C. Eckhardt for each sonnet), but it also features a reproduction of Lovecraft’s handwritten manuscript and exemplary commentary on the poem by Schultz. The editor rightly recognises that the cycle was written at roughly the midpoint in Lovecraft’s career, thereby summing up what had gone before and being a vanguard for what would come after. The book is distinctive in printing all type in a highly attractive (and readable) green type, and is also graced with a fine dust jacket with an evocative illustration by Eckhardt. This edition is currently being sold at Hippocampus for $45, but I am happy to dispose of my few spare copies for $40.
And I have now received copies of the beautiful signed/limited edition of Gothic Lovecraft. Copies of this edition are available for $70. I still have some copies of the trade edition available for $40.
Another item that has reached me is an anthology, Another Dimension: Tales in the Tradition of Twilight Zone and Night Gallery, edited by Angel McCoy (Wily Writers, 2016). This contains my article, “On Rod Serling’s ‘Clean Kills and Other Trophies,’” along with other articles by Joe Young and David Afsharirad, and stories by Gary A. Braunbeck, “Amber Bierce” (surely a pseudonym!), S. C. Hayden, and others. I have exactly one spare copy that I am prepared to let go for $10.
I have written the foreword to a volume of Lovecraft’s Short Stories, published by the London firm of Flame Tree Publishing (http://www.flametreepublishing.com/Lovecraft-Short-Stories.html). The book is an attractively produced hardcover edition that contains many of Lovecraft’s tales early and late.
David E. Schultz and I are working hard on preparing editions of Lovecraft’s letters for publication with Hippocampus. The Letters to C. L. Moore (also containing the letters to Fritz Leiber, Henry Kuttner, and Frederic J. Pabody) will be out soon, and the mammoth Dawnward Spire, Lonely Hill: The Letters of H. P. Lovecraft and Clark Ashton Smith should follow (in a hardcover edition) in May. Lots of good stuff here!
Just a short blog this time, chiefly to announce the arrival (at long last) of copies of Gothic Lovecraft (Cycatrix Press, 2016). This all-original anthology has been magnificently designed by Jason & Sunni Brock of Cycatrix Press, and, all apart from its contents (which I think are also pretty fine), is a superlative job of book production. I have numerous copies of the trade edition, which is currently selling for $45.95, but I will be happy to let copies go for $40.00 on the usual terms.
I do not yet have copies of the signed/limited edition, but expect to have those very soon. It is currently being sold for $74.95, and I am happy to let it go for $70.00. People can reserve their copies and I will send them out as soon as they are here (probably about a week or so).
Just a reminder on the table of contents of the book:
I also have received multiple copies of the full-length LP of my readings of Clark Ashton Smith’s poems and prose-poems, The Muse of Hyperborea (http://www.cadabrarecords.com/2017/01/clark-ashton-smith-the-muse-of-hyperborea-read-by-s-t-joshi/). I haven’t actually listened to the recording as yet, but it contains a full 18 works by Smith, ranging from the inexpressibly cosmic “Ode to the Abyss” to the exquisitely poignant “From the Crypts of Memory.” I will be happy to dispose of my spare copies for $20 each.
I am thrilled to announce that Derrick Hussey of Hippocampus Press has decided to continue publication of our weird poetry journal, Spectral Realms, beyond issue #6, which is about to come out. Although sales of this journal have not been as robust as we would like, it seems to be a great hit among the poets themselves—and I like to think that it is providing a valuable and appealing venue for the dissemination of weird poetry. There are so many good poets out there that they need a forum like this (and many others!) to broadcast their work to readers. Now let’s hope we can do something to boost those sales!
I seem to have given a great many interviews of late. One of them, conducted by Henrik Möller, has now appeared as a podcast on a Swedish website: https://soundcloud.com/henrik-moeller-180995804/udda-ting-avsnitt-17-st-joshi. Henrik informs me that this is “95% in English,” so I trust interested listeners can enjoy it.
I also gave an interview to Hector R. Laureano, a young man in Boston who is working on a book on horror fiction, film, and music. Hector states that the book’s focus is “why we actively seek out horror.” Let’s wish him the best of luck!
Maxwell I. Gold conducted an interview of me (by email), and he has now posted it: https://thewellsoftheweird.com/2017/01/18/the-historian-of-the-supernatural-the-keeper-of-weird-fiction/. A most impressive-looking site!
I believe there are still others, but they have not been put up yet.
I am interested to see that Studies in the Fantastic, an academic journal that I began with University of Tampa Press, which lasted only two issues, has been revived. Two further issues have now come out, and this second one (#4 in all) now has a fine article by Chris Brawley on Thomas Ligotti, as well as an article that discusses Lovecraft in part: http://www.ut.edu/TampaPress/pressDetail.aspx?id=32212257271. I have not read the Lovecraft piece, but Brawley’s Ligotti article is a splendid piece of work.
I note with interest the demise of William Peter Blatty on January 7. Given, however, that very little of his work subsequent to The Exorcist (1971) is of any particular interest, and given that he recently supplied a blurb to a vicious anti-Hillary Clinton polemic, I am not sure that the passing of this person is much to be mourned.
Far more to be regretted, in my mind, is the passing of Kevin Starr, a pioneering scholar of California literature: https://www.nytimes.com/2017/01/16/us/kevin-starr-dead-california.html. Starr was gracious enough to have written the foreword to our edition of George Sterling’s collected poetry, and for that alone I shall be greatly in his debt.
I am sorry to report that Joe Morey of Dark Renaissance Books has been forced to retire from publishing because of health reasons. But luckily for me, Hippocampus Press will pick up the eight-volume Classic Weird Fiction series that I compiled for Joe. So watch for these books emerging over the next few months (and years)!
The other day I received copies of Weird Fiction Review 7 (Fall 2016), just out from Centipede Press. I believe this is another superlative (and large!—360 pp.) issue, with fiction by Steve Rasnic Tem, John Shirley (in collaboraton with Don Webb), Jonathan Thomas, Nicole Cushing, and Mark Howard Jones; two articles on Robert E. Howard (by Charles A. Gramlich and Benjamin Garstad), along with articles by James Goho (on Caitlín R. Kiernan), John C. Tibbetts (on Jack Finney), J.-M. Rajala (on some lost works by Ambrose Bierce), Jason V Brock (a comparison of David Bowie and Franz Kafka), and others; and poetry by Ann K. Schwader, John Shirley, Wade German, K. A. Opperman, Ashley Dioses, Ian Futter, Christina Sng, and others (including reprints of poems by H. P. Lovecraft and Robert E. Howard); an interview with William Hjortsberg; and still other items. I see that Centipede Press is currently offering the issue at a substantially discounted price (http://www.centipedepress.com/anthologies/wfreview7.html). I have a few spares available and will be happy to make them available for $20 to interested customers.
I trust that Hippocampus Press is gearing up to publish some items that should have come out in 2016, including David E. Schultz’s landmark edition of Lovecraft’s Fungi from Yuggoth. I see that Dead Reckonings Nos. 19/20 (dated, I believe, Fall 2016) is announced as available, but I have not received any copies yet. I have as many as six reviews in it. I believe my edition of Dunsany’s The Ghost in the Corner and Other Stories should be out soon, along with my collection of essays, Varieties of the Weird Tale. And there are editions of Lovecraft’s letters (to Clark Ashton Smith; to C. L. Moore, Henry Kuttner, Fritz Leiber, and others; and the “family letters,” to his mother, aunts, etc.) that are close to done and should come out later in the year.
Not even counting the above, I see that I have 26 books forthcoming from various publishers. This includes 13 from Centipede Press:
I have 8 books coming out from Dark Renaissance Books (in the Classic Weird Fiction series):
Then there are other titles from random publishers:
I was thrilled to read Ramsey Campbell’s new novel, The Searching Dead (PS Publishing), apparently the first in a trilogy of Lovecraftian novels that he is writing. This novel’s Lovecraftian elements are somewhat subdued, but I suspect Ramsey is setting the stage for more overt references later. But the novel is splendidly atmospheric, with subtle and cumulative hints of weirdness throughout. Set in 1952, the novel also seems to be heavily autobiographical, as it appears to reflect Campbell’s own Catholic upbringing and his eventual renunciation of orthodox religious belief. The book seems to be a bit difficult to acquire in the US, so readers may have to order from the publisher: http://www.pspublishing.co.uk/the-searching-dead-hardcover-by-ramsey-campbell-4047-p.asp. Possibly copies are available with Mark Ziesing or Subterranean Press.
Another book I read recently is a more problematical item. This is Paul La Farge’s novel The Night Ocean (due out in March from Penguin Press) http://www.barnesandnoble.com/w/the-night-ocean-paul-la-farge/1124019928?ean=9781101981085. This is an historical novel about Lovecraft’s relations with R. H. Barlow, especially as the former visited the latter in Florida in the 1930s. But, aside from making all manner of silly errors regarding the work of Lovecraft and others, the author cannot help suggesting that Lovecraft and Barlow had some kind of homosexual relationship—even if the work that Barlow is supposed to have written, in which this relationship is told in graphic detail (under the title Erotonomicon), proves to be a hoax. And in spite of the fact that La Farge comes down hard on the malice and intolerance of the “social justice warriors” (his term) who have excoriated Lovecraft for his racism and anti-Semitism, La Farge’s book itself leaves the reader with the impression that Lovecraft is nothing more than the sum of his prejudices. No attempt is made to account for the universal and ever-growing popularity of Lovecraft’s work around the world. Nevertheless, the novel is compelling, and readers should make up their own minds about the kind of portrait of Lovecraft it presents.